

Though American horror seems to be content to wallow in remakes or re-
Cold Prey involves five friends embarking on a ski trip, determined to find a place away from the usual holiday enthusiasts who are content to ride the lifts along with the rest of the public. Eirik (Tomas Alf Larsen) and his companion, Jannicke (Ingrid Bolso Berdal), have found a secluded spot in which to play. Accompanied by Morten Tobias (Rolf Kristian Larsen), and new couple Ingunn (Viktoria Winge) and Mikal (Endre Martin Midtstigen), they find a rear mountain slope with enough untouched powder to give the illusion of their own playground. All is fun and games until Morten Tobias takes a nasty spill, resulting in a compound fracture.

Unable to take him to safety, the five adventurers come across an abandoned ski lodge
where Jannicke is able to field-
The proceedings take a lethal turn when a strange figure turns up, terrorizing the
friends with his handy pick-
The proceedings take a lethal turn when a strange figure turns up, terrorizing the
friends with his handy pick-

Cold Prey, first of all, is a beautiful film. The mountainous scenery and pure snow make for a great backdrop to a horror film. The isolation of the group plays well, here, and the actors are, to a one, convincing in their roles. Though the characters will occasionally make a foolish choice, they understand their actions, and so does the audience. No idiot teenagers here, only young adults struggling with a potentially deadly foe.
Director Roar Uthaug does a fine job of setting a tone and sticking with it, and there are a few scenes that are genuinely thrilling to behold. Uthaug is clearly a student of the slasher, and knows what works and what doesn't, providing some fine scares while avoiding the usual character pitfalls that plague this sort of movie.
There are really two flaws with the film. The first is the villain. Anyone who's
ever seen a horror film is going to know who the antagonist is, even with the face
covered in furs and snow goggles. The pick-

Though there's nothing wrong with this film, and if you are a slasher fan, it's certainly
going to deliver for you, but it exists within the boundaries of that genre without
seeming too concerned with pushing the boundaries. It doesn't adhere to the rules
of the slasher in the same manner that a Halloween sequel will, and the first kill
in particular is a bit out-