

The horror anthology is hard to do well. Probably the finest examples of these collections
of short horror is Creepshow, or, for you Hammer fiends, The Vault of Horror. Add
to that list the much-
Trick ‘r Treat begins with a nasty little cold opening involving a couple returning from a night of Halloween fun, both “lit”, according to our heroine. She does the unthinkable, blowing out a jack o’lantern’s candle when we all know that it should stay illuminated until morning. What follows is a nice bit of suspense involving ghostly scarecrows and a reminder that some traditions are worth observing.
Playing with chronology and expectations, Trick ‘r Treat weaves four tales together:
Anna Paquin stars as a virgin looking for her first on All Hallow’s Eve, a story
of a doomed school bus brings a group of pranksters together, a school principal
has some treats of his own and a recluse is shown the true meaning of Halloween in
a tale inspired by A Christmas Carol. Yes, this description is oblique, but that’s
only because I care. These are tales to be savored, each one playing with convention
and expectation, and all inter-
Dougherty has crafted nothing short of a love letter to the holiday, a film that keeps a grin on the face of even the most jaded of horror fans. This is what a film about Halloween should be – fun, frightening, sly and smart. Not since John Carpenter’s namesake horror film, Halloween, has a movie so embraced the holiday. Yes, that’s a comparison to the standard of horror viewings, and it’s not inappropriate for this film. It’s that good.
The chronological shifts of the film lead to some fun moments where characters pass
one another on the way to their own tales, and the viewer is treated more than once
to Pulp Fiction-
I could go on about the excitement I felt upon seeing the credits roll on this comic-

